Triptych (2024) lays photo transfers over wooden boards which displaying my granny’s souvenir spoons.

Her portrait lies in the centre, flanked by my own photographs of plantations in Grenada. Representative of a painfully numb indoctrination, an erasure of African tradition in replace of colonial mentality, they hung in my granny’s living room throughout my childhood.

The writing at the top of the outside panels is taken from the poem Triptych by Frank Collymore. Collymore was a Bajan poet of mixed heritage. He reflects on the settlement of his three different heritages in Barbados.

“ I see these ancestors of ours

Torn from the hills and dales of their motherland”